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Boss Introduces The GT-100 Amp Effects Processor
The GT-100 boasts next-generation amp modeling that recreates vintage amps as well as providing new COSM tones that soar into the future. The user interface has been improved with a unique dual-LCD system, and EZ TONE has been enhanced with newly designed AMP CUSTOMIZE and OD/DS CUSTOMIZE features. The GT-100 is a powerhouse processor that spans from classic to futuristic in a friendly, rugged, road-worthy unit.
With its next-generation COSM processor, the GT-100 ushers in a new era of expression and sonic capabilities. Recreating the meticulous details of vintage amps and how they behave, the GT-100 excels in not only cloning classic amps, but provides a new world of unimagined tones as well. The AMP CUSTOMIZE function lets you mutate classic amps beyond reality. Construct completely new, unimagined sounds.
The GT-100’s unique dual-LCD and eight-knob user interface provides fast access and intuitive control. There are no menus to navigate; every function is instantly available. The tone-customizing functionality has been improved as well. All patches, amps, and overdrive/distortions can be created from scratch and/or customized with the friendly graphical TONE GRID.
A new dimension of expression is available with the ACCEL pedal, which enables control of multiple parameters simultaneously, as well as time-variant effects such as FEEDBACKER, S-BEND, TWIST, etc. Experiment with creative combinations of parameters, interacting in real time with the pedal.
Another notable new feature onboard the GT-100 is the versatile A/B Channel Divide. Assign different amps and effects to each channel, and divide the signal not only by dynamics, but by frequency as well, with each channel capable of driving its own effects and amps settings. The range of tonal possibilities gets wider, and wilder! Assign smooth, mild lead tones to the mid-to-high pitches, for example, and heavy, cutting tones to the lower notes.
Joe Bonamassa Signature Cry Baby Introduced
Whether it’s with his bluesy solo career or with the rocking Black Country Communion, Joe Bonamassa’s playing is fiery, deep, and powerful. And when he really wants to express himself in a solo, he steps on a Cry Baby wah. That’s why Dunlop worked with Joe to develop the Joe Bonamassa Signature Cry Baby, specially engineered to fit in perfectly with Joe’s system, from the way it looks to the way it sounds. On the outside, it sports a classy copper top with a smooth-finish black body. On the inside, it features large, vintage-style thru-hole components, a Halo inductor (for added harmonic content), an output buffer (to prevent impedance imbalance with vintage fuzz pedals), and a switch for true-bypass or non-true-bypass operation. With its huge vocal sweep range, this is one of the most expressive Cry Babys ever, and it’s Joe’s tool of choice to accentuate every soulful bend and bluesy wail. “The first pedal I ever purchased was a Cry Baby, 25 years ago,” he says. “I am so honored to have my name on this pedal and hope it brings you as much fun as it brings me every night on stage.”
Currently availble to pre-order at Joe's webstore:
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